Difference between revisions of "4k Restorations"

From Chuckipedia
Jump to: navigation, search
Line 1: Line 1:
−
== 4K scans released on UltraHD Blu-ray ==
+
{| class="wikitable sortable"
 +
|+
 +
!Title
 +
!scan
 +
!restoration
 +
!colorist
 +
!supervisor
 +
!4K release
 +
|-
 +
|"Close Encounters of the Third Kind" (1977)<ref>https://www.cinematheque.fr/seance/24589.html</ref>
 +
|Cineric Laboratory
 +
|Prasad Corporation<ref>https://twitter.com/PrasadCorp/status/994184444658380802</ref>
 +
|
 +
|
 +
|[https://amzn.to/3dpL3Ss 4K UltraHD]
 +
|-
 +
|"Jaws" (1975)
 +
|Cineric Laboratory <ref>http://cinelicious.tv/tag/michael-daruty</ref>
 +
|
 +
|
 +
|NBCUniversal senior VP Technical Operations Michael Daruty
 +
|[https://amzn.to/2BiiGaw 4K UltraHD]
 +
|-
 +
|"The Invisible Man" (1933)
 +
|
 +
|
 +
|
 +
|Technicolor Creative Services Director of Restoration Services Tom Burton<ref>http://cinelicious.tv/tag/michael-daruty</ref>
 +
|
 +
|-
 +
|"Lawrence of Arabia" (1962)
 +
|scanned on two large format 65mm Imagica XE scanners at FotoKem at 8K<ref>https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Lawrence-of-Arabia-Restoration&page=1</ref>
 +
|Prasad Corporation<ref>https://twitter.com/PrasadCorp/status/1173506982495416320</ref>
 +
MTI Film
 +
|Scott Ostrowsky
 +
|[[Grover Crisp]]
 +
|
 +
|-
 +
|"The Bridge on the River Kwai" (1956)
 +
|
 +
|
 +
|Scott Ostrowsky
 +
|
 +
|[https://amzn.to/2Bouo3A 4K UltraHD]
 +
|-
 +
|"Taxi Driver" (1976)
 +
|
 +
|
 +
|Scott Ostrowsky
 +
|
 +
|
 +
|-
 +
|"The Doors” (1991)
 +
|original negative, scanned in 4k 16 bits on ARRISCAN at Fotokem US<ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 +
|Restoration managed by Imagine Ritrovatta in Italy
 +
|
 +
|
 +
|
 +
|-
 +
|“The Shining” (1980)
 +
|4K scan of the original 35mm camera negative<ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 +
|mastering was done at Warner Bros. Motion Picture Imaging
 +
|Janet Wilson
 +
|Kubrick’s former personal assistant Leon Vitali
 +
|[https://amzn.to/3cvE9tL 4K UltraHD]
 +
|-
 +
|“Moulin Rouge” (1952
 +
|35mm Original Nitrate 3-Strip Technicolor Negative. 4K scanning by Cineric
 +
|
 +
|Daniel DeVincent
 +
|The Film Foundation and [[Grover Crisp]]
 +
|
 +
|-
 +
|“Easy Rider” (1969)
 +
|4K scanning and digital image restoration by Immagine Ritrovata<ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 +
|Roundabout Entertainment
 +
|Sheri Eisenberg
 +
|[[Grover Crisp]]
 +
|
 +
|-
 +
|"Ben-Hur" (1959)<ref>https://www.youtube.com/watch?v=rp1BsqMsAUQ</ref>
 +
|
 +
|
 +
|
 +
|[[Ned Price]]
 +
|
 +
|-
 +
|"Doctor Zhivago" (1965)
 +
|scanned the original camera negative at 8K resolution<ref>http://iwantmytwodollars.com/2011/12/interview-ned-price-rita-tushingham-doctor-zhivago-remastered-blu-ray/</ref>
 +
|
 +
|
 +
|
 +
|
 +
|-
 +
|"Beverly Hills Cop" (1984)
 +
|
 +
|
 +
|
 +
|
 +
|
 +
|-
 +
|"To Catch a Thief" (1955)
 +
|
 +
|
 +
|
 +
|
 +
|
 +
|-
 +
|"A Clockwork Orange" (1971)
 +
|
 +
|
 +
|
 +
|Ned Price<ref>https://www.youtube.com/watch?v=VV6ro-74bL4</ref>
 +
|
 +
|-
 +
|“Pandora and the Flying Dutchman” (1951)
 +
|
 +
|Prasad Corporation<ref>[http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics/?fbclid=IwAR21-LP6dT8EETo7BkPYCYJQOV4mIuqMmsoN9x_ODTWiAFSAv6NrYaJBYFQ http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics/]</ref>
 +
|
 +
|Tim Lanza, the archivist and vice president of the Cohen Media Collection<ref>[http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics/?fbclid=IwAR21-LP6dT8EETo7BkPYCYJQOV4mIuqMmsoN9x_ODTWiAFSAv6NrYaJBYFQ http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics]</ref>
 +
|
 +
|-
 +
|"Richard III" (1955)<ref>http://www.mtifilm.com/news/2013/5/1/richard-iiis-meticulous-4k-restoration.html</ref>
  
−
* "Jaws" (1975)
 
−
** "before restoration could proceed, the negative was rescanned at [http://cineric.com/ Cineric] in 4K with the scratch-reducing liquid gate process." <ref>http://cinelicious.tv/tag/michael-daruty</ref>
 
−
* "Lawrence of Arabia" (1962)
 
−
** "Sony's restoration team collaborated with its digital intermediate facility Colorworks"
 
−
** "The 65mm original negative was scanned on two large format 65mm Imagica XE scanners at FotoKem at 8K"
 
−
** "Two external groups were selected: [http://www.prasadcorp.com/ Prasad Corporation] in India, which handled general image cleanup, and MTI Film in Los Angeles" <ref>https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Lawrence-of-Arabia-Restoration&page=1</ref>
 
−
* “The Doors” (1991, 2h20, USA) by Oliver Stone
 
−
** "Restored in 4k, initiated and supervised by Oliver Stone from the original negative, scanned in 4k 16 bits on ARRISCAN at Fotokem US. Restoration managed by Imagine Ritrovatta in Italy. Calibrated work supervised by Oliver Stone. Immersive soundtrack thanks to the Atmos mix created by Formosa Group, Hollywood, under the supervision of Dolby and original mixers of the film Wylie Stateman and Lon Bender. The movie can be seen in 7.1 and 5.1. Remastered 4K now available in 4K Cinema, UHD Dolby Vision and Atmos." <ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 
−
* “The Shining” by Stanley Kubrick (1980, 2h26, UK / USA)
 
−
** "4K remastering was done using a new 4K scan of the original 35mm camera negative. The mastering was done at Warner Bros. Motion Picture Imaging, and the color grading was done by Janet Wilson, with supervision from Stanley Kubrick’s former personal assistant Leon Vitali." <ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 
−
* “Moulin Rouge” (1952, 1h59, UK) by John Huston
 
−
** "Presented and restored by The Film Foundation in collaboration with Park Circus, Romulus Films and MGM with additional funding provided by the Franco-American Cultural Fund, a unique partnership between the Directors Guild of America (DGA), the Motion Picture Association of America (MPAA), the Société des Auteurs, Compositeurs et Editeurs de Musique (SACEM), and the Writers Guild of America, West (WGAW). Restored from the 35mm Original Nitrate 3-Strip Technicolor Negative. 4K scanning, color grading, digital image restoration and film recording by Cineric, Inc., New York. Colorist: Daniel DeVincent. Audio restoration by Chace Audio. Restoration Consultant: [[Grover Crisp]]." <ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 
−
* “Easy Rider” (1969, 1h35, USA) by Dennis Hopper
 
−
** "Restored in 4K by Sony Pictures Entertainment in collaboration with Cineteca di Bologna. Restored from the 35mm Original Picture Negative and 35mm Black and White Separation Masters. 4K scanning and digital image restoration by Immagine Ritrovata. Audio restoration from the 35mm Original 3-track Magnetic Master by Chace Audio and Deluxe Audio. Color grading, picture conform, additional image restoration and DCP by Roundabout Entertainment. Colorist: Sheri Eisenberg. Restoration supervised by [[Grover Crisp]]." <ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 
  
−
== 4K scans not (yet) released on UltraHD Blu-ray ==
+
|
 +
|""Dr. Kevin Manbeck, MTI Film's CTO, who creates the various algorithms used for the software"
 +
"Correct DRS [MTI Film's full featured restoration toolset "<ref>https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Restoring-Richard-III&page=1</ref>
 +
|Sheri Eisenberg
 +
|[[Grover Crisp]]
 +
The Film Foundation
 +
|
 +
|-
 +
|"Taxi Driver" (1976)
 +
|
 +
|" MTI Film had just developed proprietary technology, AutoClean, designed to find very small dirt that can be overlooked by the human eye" <ref>https://library.creativecow.net/kaufman_debra/taxi-driver-restoration/1</ref>
 +
|
 +
|
 +
|
 +
|-
 +
|"A Star is Born" (1954)
 +
|scanning A Star Is Born in 6K<ref>https://www.soundandvision.com/content/truth-about-6k-page-2#RWqSIV7EmF7xOsih.99</ref>
 +
|
 +
|
 +
|
 +
|
 +
|-
 +
|"2001: A Space Odyssey" (1968)
 +
|8K
 +
|
 +
|
 +
|[[Ned Price]] and  Leon Vitali
 +
|
 +
|-
 +
|"House of Wax" (1953)
 +
|"4k scans of the 3-strip positive protection masters (YCM’s) for both left eye and right eye negatives for a total of 6-reels of film to restore the 3-D color composite image"<ref>http://www.3dfilmarchive.com/an-interview-with-ned-price</ref>
 +
|Warner Bros. Motion Picture Imaging
 +
|Janet Wilson
 +
|
 +
|
 +
|-
 +
|"The Front Page" (1931) <ref>https://www.broadcastbeat.com/mti-film-delivers-the-front-page/</ref>
 +
|4K wet-gate scanning of the complete 35mm print at ImagePro, Burbank
 +
|"automated and customized restoration at [http://www.mtifilm.com/restoration MTI Film’s] facilities in Hollywood and Tianjin, China, using its proprietary DRS™NOVA technology."
 +
Jim Hannafin, MTI Film Senior Vice President for Business Development
  
−
* Ben-Hur
+
Director of Restoration and Preservation Bridgid O’Donnell-Farquhar
−
* Beverly Hills Cop 1, 2 and 3
+
|Alex Chernoff
−
* To Catch A Thief
+
|Michael Pogorzelski
−
* Stanley Kubrick movies
+
Heather Linville
−
** A Clockwork Orange
 
−
* “Pandora and the Flying Dutchman” (1951)
 
−
** "Tim Lanza, the archivist and vice president of the Cohen Media Collection" <ref>http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics/?fbclid=IwAR21-LP6dT8EETo7BkPYCYJQOV4mIuqMmsoN9x_ODTWiAFSAv6NrYaJBYFQ</ref>
 
−
* "Rebel Without A Cause" (1955)
 
−
** "The restoration of Rebel Without A Cause was completed from an 8K scan of the original CinemaScope (widescreen 2.55:1) camera negative at Warner Bros. Motion Picture Imaging. Due to color fading, the original camera negative could no longer yield an acceptable photochemical print." <ref>https://www.parkcircus.com/latest/P1665-James%20Dean%20classic%20restored%20and%20set%20for%20Berlin%20premiere</ref>
 
−
* "Richard III"
 
−
** "Dr. Kevin Manbeck, MTI Film's CTO, who creates the various algorithms used for the software, is remarkable"
 
−
** "It required Correct DRS [MTI Film's full featured restoration toolset] and a fair amount of painting" <ref>https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Restoring-Richard-III&page=1</ref>
 
−
* "Taxi Driver" (1976)
 
−
** " MTI Film had just developed proprietary technology, AutoClean, designed to find very small dirt that can be overlooked by the human eye" <ref>https://library.creativecow.net/kaufman_debra/taxi-driver-restoration/1</ref>
 
  
−
= External Links =
+
The Academy Film Archive
  
−
* [https://twitter.com/4K_Aficionado/timelines/1267558493797650434 4K restoration scans]
+
The Film Foundation
 +
|
 +
|-
 +
|A Matter of Life and Death (1946)<ref>http://www.postmagazine.com/Publications/Post-Magazine/2017/November-1-2017/Restoration-I-A-Matter-of-Life-and-Death-I-.aspx</ref>
 +
|4K scanning at Cineric, New York
 +
|L’Immagine Ritrovato
 +
MTI Film, Hollywood
 +
|Sheri Eisenberg
 +
|[[Grover Crisp]]
 +
|
 +
|-
 +
|"Dr. Strangelove" (1964)<ref>https://pure.uva.nl/ws/files/2370126/163448_369986.pdf</ref>
 +
|Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate"
 +
"The film was scanned at 10 bit depth logarithmic to dpx files"
 +
<br />
 +
|"Daniel DeVincent, Cineric’s Director of Digital Restoration"
 +
|
 +
|[[Grover Crisp]]
 +
|
 +
|}
 +
 
 +
== External Links ==
 +
[https://twitter.com/4K_Aficionado/timelines/1267558493797650434 4K restoration scans]
  
 
== References ==
 
== References ==
−
 
 
<references />
 
<references />

Revision as of 00:39, 2 June 2020

Title scan restoration colorist supervisor 4K release
"Close Encounters of the Third Kind" (1977)[1] Cineric Laboratory Prasad Corporation[2] 4K UltraHD
"Jaws" (1975) Cineric Laboratory [3] NBCUniversal senior VP Technical Operations Michael Daruty 4K UltraHD
"The Invisible Man" (1933) Technicolor Creative Services Director of Restoration Services Tom Burton[4]
"Lawrence of Arabia" (1962) scanned on two large format 65mm Imagica XE scanners at FotoKem at 8K[5] Prasad Corporation[6]

MTI Film

Scott Ostrowsky Grover Crisp
"The Bridge on the River Kwai" (1956) Scott Ostrowsky 4K UltraHD
"Taxi Driver" (1976) Scott Ostrowsky
"The Doors” (1991) original negative, scanned in 4k 16 bits on ARRISCAN at Fotokem US[7] Restoration managed by Imagine Ritrovatta in Italy
“The Shining” (1980) 4K scan of the original 35mm camera negative[8] mastering was done at Warner Bros. Motion Picture Imaging Janet Wilson Kubrick’s former personal assistant Leon Vitali 4K UltraHD
“Moulin Rouge” (1952 35mm Original Nitrate 3-Strip Technicolor Negative. 4K scanning by Cineric Daniel DeVincent The Film Foundation and Grover Crisp
“Easy Rider” (1969) 4K scanning and digital image restoration by Immagine Ritrovata[9] Roundabout Entertainment Sheri Eisenberg Grover Crisp
"Ben-Hur" (1959)[10] Ned Price
"Doctor Zhivago" (1965) scanned the original camera negative at 8K resolution[11]
"Beverly Hills Cop" (1984)
"To Catch a Thief" (1955)
"A Clockwork Orange" (1971) Ned Price[12]
“Pandora and the Flying Dutchman” (1951) Prasad Corporation[13] Tim Lanza, the archivist and vice president of the Cohen Media Collection[14]
"Richard III" (1955)[15]


""Dr. Kevin Manbeck, MTI Film's CTO, who creates the various algorithms used for the software"

"Correct DRS [MTI Film's full featured restoration toolset "[16]

Sheri Eisenberg Grover Crisp

The Film Foundation

"Taxi Driver" (1976) " MTI Film had just developed proprietary technology, AutoClean, designed to find very small dirt that can be overlooked by the human eye" [17]
"A Star is Born" (1954) scanning A Star Is Born in 6K[18]
"2001: A Space Odyssey" (1968) 8K Ned Price and Leon Vitali
"House of Wax" (1953) "4k scans of the 3-strip positive protection masters (YCM’s) for both left eye and right eye negatives for a total of 6-reels of film to restore the 3-D color composite image"[19] Warner Bros. Motion Picture Imaging Janet Wilson
"The Front Page" (1931) [20] 4K wet-gate scanning of the complete 35mm print at ImagePro, Burbank "automated and customized restoration at MTI Film’s facilities in Hollywood and Tianjin, China, using its proprietary DRS™NOVA technology."

Jim Hannafin, MTI Film Senior Vice President for Business Development

Director of Restoration and Preservation Bridgid O’Donnell-Farquhar

Alex Chernoff Michael Pogorzelski

Heather Linville

The Academy Film Archive

The Film Foundation

A Matter of Life and Death (1946)[21] 4K scanning at Cineric, New York L’Immagine Ritrovato

MTI Film, Hollywood

Sheri Eisenberg Grover Crisp
"Dr. Strangelove" (1964)[22] Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate"

"The film was scanned at 10 bit depth logarithmic to dpx files"

"Daniel DeVincent, Cineric’s Director of Digital Restoration" Grover Crisp

External Links

4K restoration scans

References

  1. ↑ https://www.cinematheque.fr/seance/24589.html
  2. ↑ https://twitter.com/PrasadCorp/status/994184444658380802
  3. ↑ http://cinelicious.tv/tag/michael-daruty
  4. ↑ http://cinelicious.tv/tag/michael-daruty
  5. ↑ https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Lawrence-of-Arabia-Restoration&page=1
  6. ↑ https://twitter.com/PrasadCorp/status/1173506982495416320
  7. ↑ https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/
  8. ↑ https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/
  9. ↑ https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/
  10. ↑ https://www.youtube.com/watch?v=rp1BsqMsAUQ
  11. ↑ http://iwantmytwodollars.com/2011/12/interview-ned-price-rita-tushingham-doctor-zhivago-remastered-blu-ray/
  12. ↑ https://www.youtube.com/watch?v=VV6ro-74bL4
  13. ↑ http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics/
  14. ↑ http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics
  15. ↑ http://www.mtifilm.com/news/2013/5/1/richard-iiis-meticulous-4k-restoration.html
  16. ↑ https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Restoring-Richard-III&page=1
  17. ↑ https://library.creativecow.net/kaufman_debra/taxi-driver-restoration/1
  18. ↑ https://www.soundandvision.com/content/truth-about-6k-page-2#RWqSIV7EmF7xOsih.99
  19. ↑ http://www.3dfilmarchive.com/an-interview-with-ned-price
  20. ↑ https://www.broadcastbeat.com/mti-film-delivers-the-front-page/
  21. ↑ http://www.postmagazine.com/Publications/Post-Magazine/2017/November-1-2017/Restoration-I-A-Matter-of-Life-and-Death-I-.aspx
  22. ↑ https://pure.uva.nl/ws/files/2370126/163448_369986.pdf


Retrieved from "http://chuckipedia.ca/index.php?title=4k_Restorations&oldid=1946"