Difference between revisions of "4k Restorations"

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|-
 
|-
 
|"Close Encounters of the Third Kind" (1977)<ref>https://www.cinematheque.fr/seance/24589.html</ref>
 
|"Close Encounters of the Third Kind" (1977)<ref>https://www.cinematheque.fr/seance/24589.html</ref>
−
|Cineric Laboratory
+
|Cineric Laboratory<br />
−
|Prasad Corporation<ref>https://twitter.com/PrasadCorp/status/994184444658380802</ref>
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|Prasad Corporation<ref>https://twitter.com/PrasadCorp/status/994184444658380802</ref><br />
 
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|
 
|
 
|
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|-
 
|-
 
|"Jaws" (1975)
 
|"Jaws" (1975)
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|Cineric Laboratory <ref>http://cinelicious.tv/tag/michael-daruty</ref>
+
|Cineric Laboratory <ref>http://cinelicious.tv/tag/michael-daruty</ref>"4K Oxberry film scanner modified for liquid gate" <ref>https://library.creativecow.net/kaufman_debra/JAWS-Resoration/1</ref>
−
|
+
|"a combination of MTI Film's Correct DRS dust-busting tools and Autodesk Inferno as well as proprietary software for grain management."
−
|
+
|Leo Dunn
 
|NBCUniversal senior VP Technical Operations Michael Daruty
 
|NBCUniversal senior VP Technical Operations Michael Daruty
 
|[https://amzn.to/2BiiGaw 4K UltraHD]
 
|[https://amzn.to/2BiiGaw 4K UltraHD]
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|Janet Wilson
 
|Janet Wilson
 
|Kubrick’s former personal assistant Leon Vitali
 
|Kubrick’s former personal assistant Leon Vitali
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|[https://amzn.to/3cvE9tL 4K UltraHD]  
+
|[https://amzn.to/3cvE9tL 4K UltraHD]
 
|-
 
|-
 
|“Moulin Rouge” (1952
 
|“Moulin Rouge” (1952
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|-
 
|-
 
|"Richard III" (1955)<ref>http://www.mtifilm.com/news/2013/5/1/richard-iiis-meticulous-4k-restoration.html</ref>
 
|"Richard III" (1955)<ref>http://www.mtifilm.com/news/2013/5/1/richard-iiis-meticulous-4k-restoration.html</ref>
−
 
−
 
 
|
 
|
 
|""Dr. Kevin Manbeck, MTI Film's CTO, who creates the various algorithms used for the software"
 
|""Dr. Kevin Manbeck, MTI Film's CTO, who creates the various algorithms used for the software"
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|-
 
|-
 
|"Taxi Driver" (1976)
 
|"Taxi Driver" (1976)
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|
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|Cineric
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|" MTI Film had just developed proprietary technology, AutoClean, designed to find very small dirt that can be overlooked by the human eye" <ref>https://library.creativecow.net/kaufman_debra/taxi-driver-restoration/1</ref>
+
|"MTI Film had just developed proprietary technology, AutoClean, designed to find very small dirt that can be overlooked by the human eye" <ref>https://library.creativecow.net/kaufman_debra/taxi-driver-restoration/1</ref>
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|
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|Scott Ostrowsky
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|
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|[[Grover Crisp]]
 
|
 
|
 
|-
 
|-
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|
 
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|
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|Daphne Dentz, VP, digital service<ref>https://artsdocbox.com/Movies/71504342-Inside-top-studios-sign-up-with-dcss-studios-agree-digital-cinema-deployment-story-on-p-03.html</ref>
 
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|
 
|-
 
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|Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate"
 
|Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate"
 
"The film was scanned at 10 bit depth logarithmic to dpx files"
 
"The film was scanned at 10 bit depth logarithmic to dpx files"
−
<br />
 
 
|"Daniel DeVincent, Cineric’s Director of Digital Restoration"
 
|"Daniel DeVincent, Cineric’s Director of Digital Restoration"
 
|
 
|
 
|[[Grover Crisp]]
 
|[[Grover Crisp]]
 +
|
 +
|-
 +
|"The Sound of Music" (1965)<ref>https://library.creativecow.net/wilson_tim/FotoKem-Sound-of-Music-Restoration/1</ref>
 +
|digitized at 8K by FotoKem
 +
|FotoKem
 +
|Mark Griffith
 +
|Andrew Oran
 +
Schawn Belston
 +
|
 +
|-
 +
|"''Schindler’s List" (1993)''<ref>https://entertainment.time.com/2013/03/05/restoring-schindlers-list-a-qa-with-film-restoration-expert-michael-daruty/?utm_source=dlvr.it&utm_medium=twitter</ref>
 +
|6K scan of original negative
 +
|
 +
|
 +
|Michael Daruty
 +
|[https://amzn.to/2TZE7ni UltraHD 4K]
 +
|-
 +
|"The Ten Commandments" (1956)
 +
|6K scan,
 +
Scan and Record Manager: Chris Gillaspie
 +
<br />
 +
|Motion Picture Imaging
 +
Prasad
 +
 +
VP of Engineering: Bill Baggelaar
 +
 +
Data, Conform & Graphics: Kathleen Largay
 +
 +
Compositor: Valerie McMahon
 +
|Jan Yarbrough
 +
|Senior Producer: [[imdbname:0219873|Daphne Dentz]]
 +
Producer: Billy Patten
 +
|
 +
|-
 +
|"The Godfather" (1972)<ref>http://www.postmagazine.com/Publications/Post-Magazine/2008/November-1-2008/RESTORATION.aspx</ref>
 +
|Chris Gillaspie and the Thomson Spirit 4K
 +
"FilmLight Northlight for scanning subtitles and a few pick-up shots in 6K"
 +
|[https://www.motionpictureimaging.com/feature-services/digital-restoration/ Motion Picture Imaging]
 +
Bill Baggelaar, VP/engineering at MPI
 +
 +
MPI’s VP of digital services: Daphne Dentz
 +
 +
Kate Largay: conformist and media data wrangler
 +
 +
Steve Sanchez heads digital repair
 +
|Jan Yarbrough
 +
|Robert A. Harris
 +
|
 +
|-
 +
|"Carousel" (1956)
 +
|Cineric
 +
55mm Cinemascope
 +
 +
Oxberry Cinescan 4K
 +
 +
capture to 10-bit log DPX files
 +
|
 +
|Danny DeVincent
 +
|
 +
|
 +
|-
 +
|"To Catch a Thief" (1955)
 +
|"''6K 16-bit scan of the original VistaVision negative, making it the first time the original negative has been directly sourced for a home entertainment release"''<ref>https://thedigitalbits.com/columns/my-two-cents/052620-1430</ref>
 +
|
 +
|
 +
|Andrea Kalas
 +
|
 +
|-
 +
|“Rebel Without a Cause” (1955)<ref>https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-rebel-without-cause-20131101-story.html#axzz2lKNyTKmG</ref>
 +
|
 +
|
 +
|Janet Wilson
 +
|Film Foundation
 +
[[Ned Price]]
 +
|
 +
|-
 +
|"It's a Wonderful Life" (1946)
 +
|Eric Chilpa (Technicolor)
 +
|
 +
|Michael Underwood (Technicolor)
 +
|Andrea Kalas
 +
Laura Thornburg (Executive Director Preservation at Paramount)
 
|
 
|
 
|}
 
|}

Revision as of 20:43, 2 June 2020

Title scan restoration colorist supervisor 4K release
"Close Encounters of the Third Kind" (1977)[1] Cineric Laboratory
 Prasad Corporation[2]
 4K UltraHD
"Jaws" (1975) Cineric Laboratory [3]"4K Oxberry film scanner modified for liquid gate" [4] "a combination of MTI Film's Correct DRS dust-busting tools and Autodesk Inferno as well as proprietary software for grain management." Leo Dunn NBCUniversal senior VP Technical Operations Michael Daruty 4K UltraHD
"The Invisible Man" (1933) Technicolor Creative Services Director of Restoration Services Tom Burton[5]
"Lawrence of Arabia" (1962) scanned on two large format 65mm Imagica XE scanners at FotoKem at 8K[6] Prasad Corporation[7]

MTI Film

Scott Ostrowsky Grover Crisp
"The Bridge on the River Kwai" (1956) Scott Ostrowsky 4K UltraHD
"Taxi Driver" (1976) Scott Ostrowsky
"The Doors” (1991) original negative, scanned in 4k 16 bits on ARRISCAN at Fotokem US[8] Restoration managed by Imagine Ritrovatta in Italy
“The Shining” (1980) 4K scan of the original 35mm camera negative[9] mastering was done at Warner Bros. Motion Picture Imaging Janet Wilson Kubrick’s former personal assistant Leon Vitali 4K UltraHD
“Moulin Rouge” (1952 35mm Original Nitrate 3-Strip Technicolor Negative. 4K scanning by Cineric Daniel DeVincent The Film Foundation and Grover Crisp
“Easy Rider” (1969) 4K scanning and digital image restoration by Immagine Ritrovata[10] Roundabout Entertainment Sheri Eisenberg Grover Crisp
"Ben-Hur" (1959)[11] Ned Price
"Doctor Zhivago" (1965) scanned the original camera negative at 8K resolution[12]
"Beverly Hills Cop" (1984)
"To Catch a Thief" (1955)
"A Clockwork Orange" (1971) Ned Price[13]
“Pandora and the Flying Dutchman” (1951) Prasad Corporation[14] Tim Lanza, the archivist and vice president of the Cohen Media Collection[15]
"Richard III" (1955)[16] ""Dr. Kevin Manbeck, MTI Film's CTO, who creates the various algorithms used for the software"

"Correct DRS [MTI Film's full featured restoration toolset "[17]

Sheri Eisenberg Grover Crisp

The Film Foundation

"Taxi Driver" (1976) Cineric "MTI Film had just developed proprietary technology, AutoClean, designed to find very small dirt that can be overlooked by the human eye" [18] Scott Ostrowsky Grover Crisp
"A Star is Born" (1954) scanning A Star Is Born in 6K[19] Daphne Dentz, VP, digital service[20]
"2001: A Space Odyssey" (1968) 8K Ned Price and Leon Vitali
"House of Wax" (1953) "4k scans of the 3-strip positive protection masters (YCM’s) for both left eye and right eye negatives for a total of 6-reels of film to restore the 3-D color composite image"[21] Warner Bros. Motion Picture Imaging Janet Wilson
"The Front Page" (1931) [22] 4K wet-gate scanning of the complete 35mm print at ImagePro, Burbank "automated and customized restoration at MTI Film’s facilities in Hollywood and Tianjin, China, using its proprietary DRS™NOVA technology."

Jim Hannafin, MTI Film Senior Vice President for Business Development

Director of Restoration and Preservation Bridgid O’Donnell-Farquhar

Alex Chernoff Michael Pogorzelski

Heather Linville

The Academy Film Archive

The Film Foundation

A Matter of Life and Death (1946)[23] 4K scanning at Cineric, New York L’Immagine Ritrovato

MTI Film, Hollywood

Sheri Eisenberg Grover Crisp
"Dr. Strangelove" (1964)[24] Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate"

"The film was scanned at 10 bit depth logarithmic to dpx files"

"Daniel DeVincent, Cineric’s Director of Digital Restoration" Grover Crisp
"The Sound of Music" (1965)[25] digitized at 8K by FotoKem FotoKem Mark Griffith Andrew Oran

Schawn Belston

"Schindler’s List" (1993)[26] 6K scan of original negative Michael Daruty UltraHD 4K
"The Ten Commandments" (1956) 6K scan,

Scan and Record Manager: Chris Gillaspie

Motion Picture Imaging

Prasad

VP of Engineering: Bill Baggelaar

Data, Conform & Graphics: Kathleen Largay

Compositor: Valerie McMahon

Jan Yarbrough Senior Producer: Daphne Dentz

Producer: Billy Patten

"The Godfather" (1972)[27] Chris Gillaspie and the Thomson Spirit 4K

"FilmLight Northlight for scanning subtitles and a few pick-up shots in 6K"

Motion Picture Imaging

Bill Baggelaar, VP/engineering at MPI

MPI’s VP of digital services: Daphne Dentz

Kate Largay: conformist and media data wrangler

Steve Sanchez heads digital repair

Jan Yarbrough Robert A. Harris
"Carousel" (1956) Cineric

55mm Cinemascope

Oxberry Cinescan 4K

capture to 10-bit log DPX files

Danny DeVincent
"To Catch a Thief" (1955) "6K 16-bit scan of the original VistaVision negative, making it the first time the original negative has been directly sourced for a home entertainment release"[28] Andrea Kalas
“Rebel Without a Cause” (1955)[29] Janet Wilson Film Foundation

Ned Price

"It's a Wonderful Life" (1946) Eric Chilpa (Technicolor) Michael Underwood (Technicolor) Andrea Kalas

Laura Thornburg (Executive Director Preservation at Paramount)

External Links

4K restoration scans

References

  1. ↑ https://www.cinematheque.fr/seance/24589.html
  2. ↑ https://twitter.com/PrasadCorp/status/994184444658380802
  3. ↑ http://cinelicious.tv/tag/michael-daruty
  4. ↑ https://library.creativecow.net/kaufman_debra/JAWS-Resoration/1
  5. ↑ http://cinelicious.tv/tag/michael-daruty
  6. ↑ https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Lawrence-of-Arabia-Restoration&page=1
  7. ↑ https://twitter.com/PrasadCorp/status/1173506982495416320
  8. ↑ https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/
  9. ↑ https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/
  10. ↑ https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/
  11. ↑ https://www.youtube.com/watch?v=rp1BsqMsAUQ
  12. ↑ http://iwantmytwodollars.com/2011/12/interview-ned-price-rita-tushingham-doctor-zhivago-remastered-blu-ray/
  13. ↑ https://www.youtube.com/watch?v=VV6ro-74bL4
  14. ↑ http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics/
  15. ↑ http://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics
  16. ↑ http://www.mtifilm.com/news/2013/5/1/richard-iiis-meticulous-4k-restoration.html
  17. ↑ https://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Restoring-Richard-III&page=1
  18. ↑ https://library.creativecow.net/kaufman_debra/taxi-driver-restoration/1
  19. ↑ https://www.soundandvision.com/content/truth-about-6k-page-2#RWqSIV7EmF7xOsih.99
  20. ↑ https://artsdocbox.com/Movies/71504342-Inside-top-studios-sign-up-with-dcss-studios-agree-digital-cinema-deployment-story-on-p-03.html
  21. ↑ http://www.3dfilmarchive.com/an-interview-with-ned-price
  22. ↑ https://www.broadcastbeat.com/mti-film-delivers-the-front-page/
  23. ↑ http://www.postmagazine.com/Publications/Post-Magazine/2017/November-1-2017/Restoration-I-A-Matter-of-Life-and-Death-I-.aspx
  24. ↑ https://pure.uva.nl/ws/files/2370126/163448_369986.pdf
  25. ↑ https://library.creativecow.net/wilson_tim/FotoKem-Sound-of-Music-Restoration/1
  26. ↑ https://entertainment.time.com/2013/03/05/restoring-schindlers-list-a-qa-with-film-restoration-expert-michael-daruty/?utm_source=dlvr.it&utm_medium=twitter
  27. ↑ http://www.postmagazine.com/Publications/Post-Magazine/2008/November-1-2008/RESTORATION.aspx
  28. ↑ https://thedigitalbits.com/columns/my-two-cents/052620-1430
  29. ↑ https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-rebel-without-cause-20131101-story.html#axzz2lKNyTKmG


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