Difference between revisions of "Avid Media Composer Tips"
| Line 10: | Line 10: | ||
** "Scale from Legal Range to Full Range" if viewing only in QuickTime Player | ** "Scale from Legal Range to Full Range" if viewing only in QuickTime Player | ||
*** blacks will appear milky in Resolve if "Scale from Legal Range" used <ref>Redlab</ref> | *** blacks will appear milky in Resolve if "Scale from Legal Range" used <ref>Redlab</ref> | ||
| + | * Console command to link media over network | ||
| + | ** "alldrives"<ref>[https://www.dgc.ca/en/ontario/memberView?m=27440 Louis Casado]</ref> | ||
== References == | == References == | ||
<references /> | <references /> | ||
Revision as of 19:12, 31 October 2018
- option-dragging a clip from Finder/Explorer into a bin brings the media in as AMA linked. [1]
- subsequent presses of the "enter" key after entering a +/- timecode in the Composer window will continue to advance/decrement the cursor by the entered numeric amount [2]
- the "f" key toggles the Composer timecode entry between frames and hh:mm:ss:ff [3]
- to overcome the 2GB AAF file size limit, check the "AAF Edit Protocol" box in the AAF Export Settings. [4]
- link to Avid Download Center[5]
- Top and Tail buttons [6]
- Resume Trim: Option-U [7]
- Color Scaling settings for same as source DNxHD export:
- "Keep as Legal Range" if going into Resolve
- "Scale from Legal Range to Full Range" if viewing only in QuickTime Player
- blacks will appear milky in Resolve if "Scale from Legal Range" used [8]
- Console command to link media over network
- "alldrives"[9]
