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!supervisor
 
!supervisor
 
!4K release
 
!4K release
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|-
 
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|"The More the Merrier" (1943)<ref>http://digital.copcomm.com/i/1189824-december-2019/0?m4=</ref>
 
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|Cineric
 
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|"blending of duplicate and original picture negative to eliminate damaged frames"
 
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|Sheri Eisenberg
 
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|Rita Belda, SPE’s vice president for asset management
 
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|"The Hunchback of Notre Dame" (1923)
 
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|"primary element was scanned, dry-gate, on an Arri scanner"<ref>http://digital.copcomm.com/i/1189824-december-2019/0?m4=</ref>
 
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|Peter Schade
 
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|"Patton" (1970)<ref>http://digital.copcomm.com/i/1189824-december-2019/0?m4=</ref>
 
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|65mm original negative scanned at 8K by FotoKem
 
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|"the team at FotoKem began with addressing flicker, dust, dirt and damage on the negative"
 
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|Kostas Theodosiou grading in Resolve
 
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|Andrew Oran, SVP and GM of feature sales and marketing
 
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|"It’s a Mad, Mad, Mad, Mad World" (1963)<ref>https://www.hometheaterforum.com/community/threads/a-few-words-about-%E2%84%A2-its-a-mad-mad-mad-mad-world-in-blu-ray.306560/page-4</ref>
 
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|FotoKem 65mm scan via Imagica XE
 
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|"Gladiator" (2000)<ref>https://www.studiodaily.com/2011/04/colorist-lou-levinson-on-restoring-and-sometimes-re-thinking-movies-with-the-baselight/</ref>
 
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|"original camera negatives were scanned at 6K on a Northlight scanner"
 
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|Lou Levinson on  Baselight 8
 
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|[https://amzn.to/30iB1yR 4K UltraHD]
 
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|-
 
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|"Saving Private Ryan" (1998)
 
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|"original camera negatives were scanned at 6K on a Northlight scanner"
 
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|Lou Levinson on  Baselight 8
 
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|[https://amzn.to/2UlADeU 4K UltraHD]
 
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|"The Graduate" (1967)
 
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|"Deluxe Culver City scanned the 35mm original camera negative on a DFT Scanity in 4K resolution"<ref>http://digital.copcomm.com/i/749700-november-2016/27?m4=</ref>
 
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|"dirt, debris, scratches, splices and warps were manually removed by a team at The Criterion Collection in New York City using Digital Vision Phoenix and MTI Correct."
 
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|Joe Gawler
 
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"If we need The Graduate in HDR, I can change the output display to 1000 nits and not lose the work I did for the Rec. 709 master"
 
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|-
 
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|"King of Jazz" (1930)
 
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|negative "scanned by Cineric New York on a modified Oxberry"
 
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"nitrate prints were scanned by Prasad in Burbank with a DFT Scanity and by Universal with an ArriScan outfitted with a special transport and wet gate."<ref>http://digital.copcomm.com/i/749700-november-2016/27?m4=</ref>
 
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|"Universal team performed extensive dirt removal, scratch repair and image stabilization with a host of tools, including HS Art’s Diamant for stabilization and de-flicker, and Digital Vision’s Phoenix for auto-filte"
 
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|Mike Holgate
 
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|-
 
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|"Close Encounters of the Third Kind" (1977)<ref>https://www.cinematheque.fr/seance/24589.html</ref>
 
|"Close Encounters of the Third Kind" (1977)<ref>https://www.cinematheque.fr/seance/24589.html</ref>
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|
 
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|[https://amzn.to/3dpL3Ss 4K UltraHD]
 
|[https://amzn.to/3dpL3Ss 4K UltraHD]
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|"The Invisible Man" (1933)
 
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|Technicolor Creative Services Director of Restoration Services Tom Burton<ref>http://cinelicious.tv/tag/michael-daruty</ref>
 
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|-
 
|-
 
|"Jaws" (1975)
 
|"Jaws" (1975)
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|[https://amzn.to/2BiiGaw 4K UltraHD]
 
|[https://amzn.to/2BiiGaw 4K UltraHD]
 
|-
 
|-
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|"The Bridge on the River Kwai" (1956)
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|"The Invisible Man" (1933)
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 +
|Technicolor Creative Services Director of Restoration Services Tom Burton<ref>http://cinelicious.tv/tag/michael-daruty</ref>
 
|
 
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|Scott Ostrowsky
 
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|[[Grover Crisp]]
 
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|[https://amzn.to/2Bouo3A 4K UltraHD]
 
 
|-
 
|-
 
|"Lawrence of Arabia" (1962)
 
|"Lawrence of Arabia" (1962)
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|Scott Ostrowsky
 
|Scott Ostrowsky
 
|[[Grover Crisp]]
 
|[[Grover Crisp]]
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|[https://amzn.to/3dwfiXJ 4K UltraHD]
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|-
 +
|"The Bridge on the River Kwai" (1956)
 +
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|Scott Ostrowsky
 +
|
 +
|[https://amzn.to/2Bouo3A 4K UltraHD]
 
|-
 
|-
 
|"Taxi Driver" (1976)
 
|"Taxi Driver" (1976)
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|
 
|
 
|Scott Ostrowsky
 
|Scott Ostrowsky
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|[[Grover Crisp]]
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|
 
|
 
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|-
 
|-
 
|"The Doors” (1991)
 
|"The Doors” (1991)
 
|original negative, scanned in 4k 16 bits on ARRISCAN at Fotokem US<ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
 
|original negative, scanned in 4k 16 bits on ARRISCAN at Fotokem US<ref>https://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/</ref>
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|Restoration managed by L'Immagine Ritrovata in Italy
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|Restoration managed by Imagine Ritrovatta in Italy
 +
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|[https://amzn.to/2U4xlMY 4K UltraHD]
 
 
|-
 
|-
 
|“The Shining” (1980)
 
|“The Shining” (1980)
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|Sheri Eisenberg
 
|Sheri Eisenberg
 
|[[Grover Crisp]]
 
|[[Grover Crisp]]
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|[https://amzn.to/3cvjOEK 4K UltraHD]
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|
 
|-
 
|-
 
|"Ben-Hur" (1959)<ref>https://www.youtube.com/watch?v=rp1BsqMsAUQ</ref>
 
|"Ben-Hur" (1959)<ref>https://www.youtube.com/watch?v=rp1BsqMsAUQ</ref>
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|"Doctor Zhivago" (1965)
 
|"Doctor Zhivago" (1965)
 
|scanned the original camera negative at 8K resolution<ref>http://iwantmytwodollars.com/2011/12/interview-ned-price-rita-tushingham-doctor-zhivago-remastered-blu-ray/</ref>
 
|scanned the original camera negative at 8K resolution<ref>http://iwantmytwodollars.com/2011/12/interview-ned-price-rita-tushingham-doctor-zhivago-remastered-blu-ray/</ref>
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|-
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|"Beverly Hills Cop" (1984)
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|"To Catch a Thief" (1955)
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|[[Ned Price]] and  Leon Vitali
 
|[[Ned Price]] and  Leon Vitali
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|[https://amzn.to/2XuNfTe 4K UltraHD]
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|-
 
|-
 
|"House of Wax" (1953)
 
|"House of Wax" (1953)
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|Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate"
 
|Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate"
 
"The film was scanned at 10 bit depth logarithmic to dpx files"
 
"The film was scanned at 10 bit depth logarithmic to dpx files"
−
 
−
"Daniel DeVincent, Cineric’s Director of Digital Restoration, created look up tables (lut) designed to optimize the scan of each element in order to achieve the dynamic range of 35mm black-and-white film."<ref>https://www.researchgate.net/publication/27716381_From_Grain_to_Pixel_The_Archival_Life_of_Film_in_Transition</ref>
 
 
|"Daniel DeVincent, Cineric’s Director of Digital Restoration"
 
|"Daniel DeVincent, Cineric’s Director of Digital Restoration"
 
|
 
|
 
|[[Grover Crisp]]
 
|[[Grover Crisp]]
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|[https://amzn.to/2ACEKMC 4K UltraHD]
+
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|-
 
|-
 
|"The Sound of Music" (1965)<ref>https://library.creativecow.net/wilson_tim/FotoKem-Sound-of-Music-Restoration/1</ref>
 
|"The Sound of Music" (1965)<ref>https://library.creativecow.net/wilson_tim/FotoKem-Sound-of-Music-Restoration/1</ref>
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|
 
|
 
|Michael Daruty
 
|Michael Daruty
−
|[https://amzn.to/2TZE7ni 4K UltraHD]
+
|[https://amzn.to/2TZE7ni UltraHD 4K]
 
|-
 
|-
 
|"The Ten Commandments" (1956)
 
|"The Ten Commandments" (1956)
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|"This is a brand new restoration made from a 6K scan of the original film negatives and takes full advantage of the production's VistaVision cinematography"<ref>https://www.highdefdigest.com/news/show/Film_Restoration/Paramount/The_Ten_Commandments/Charlton_Heston/Michael_S._Palmer/Cecile_B._DeMille/High-Def_Digest_Takes_a_Trip_to_Paramount_to_see_Behind_the_Scenes_of_The_Ten_Commandments/6201</ref>
+
|6K scan,
 
Scan and Record Manager: Chris Gillaspie
 
Scan and Record Manager: Chris Gillaspie
 +
<br />
 
|Motion Picture Imaging
 
|Motion Picture Imaging
 
Prasad
 
Prasad
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Compositor: Valerie McMahon
 
Compositor: Valerie McMahon
 
|Jan Yarbrough
 
|Jan Yarbrough
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|Ron Smith<ref>https://www.hometheaterforum.com/community/threads/he-just-restored-the-ten-commandments-now-ron-smith-wants-to-hear-from-you-what-paramount-films-yo.303596/page-2</ref>
+
|Senior Producer: [[imdbname:0219873|Daphne Dentz]]
−
Senior Producer: [[imdbname:0219873|Daphne Dentz]]
 
 
Producer: Billy Patten
 
Producer: Billy Patten
 
|
 
|
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|Danny DeVincent
 
|Danny DeVincent
 
|
 
|
 +
|
 +
|-
 +
|"To Catch a Thief" (1955)
 +
|"''6K 16-bit scan of the original VistaVision negative, making it the first time the original negative has been directly sourced for a home entertainment release"''<ref>https://thedigitalbits.com/columns/my-two-cents/052620-1430</ref>
 +
|
 +
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 +
|Andrea Kalas
 
|
 
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|-
 
|-
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|Film Foundation
 
|Film Foundation
 
[[Ned Price]]
 
[[Ned Price]]
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|-
 
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|"Beverly Hills Cop" (1984)
 
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|-
 
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|"To Catch a Thief" (1955)
 
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|"''6K 16-bit scan of the original VistaVision negative, making it the first time the original negative has been directly sourced for a home entertainment release"''<ref>https://thedigitalbits.com/columns/my-two-cents/052620-1430</ref>
 
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|Andrea Kalas
 
 
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|-
 
|-
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|Andrea Kalas
 
|Andrea Kalas
 
Laura Thornburg (Executive Director Preservation at Paramount)
 
Laura Thornburg (Executive Director Preservation at Paramount)
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|[https://amzn.to/2Mr5p1G 4K UltraHD]
 
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|-
 
−
|"The Seven Samurai" (1954)<ref>https://av.watch.impress.co.jp/docs/topic/744265.html</ref><ref>https://kotaku.com/the-seven-samurai-looks-glorious-in-4k-1761457283</ref>
 
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|
 
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|Tokyo Lab, "Use MTI's restore software to correct scratches and dust, shake the screen, and adjust grain."
 
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|"The Maze" (1953)
 
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|"'''Laura Thornburg''' and '''Andrea Kalas''' at the Paramount Archive provided access to the camera original 35mm elements. The 4K scans were done at PRO-TEK in Burbank, CA."<ref>https://www.hometheaterforum.com/community/threads/kino-lorber-insider-read-guidelines-post-3.355034/page-28</ref>
 
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|Thad Komorowski
 
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|Greg Kintz
 
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|"Wings" (1927)<ref>https://jservin85.wordpress.com/preservation-and-restoration/restoration-of-wings/</ref>
 
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|"digitally scan the duplicate negative.  This was done at 4K resolution"
 
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|Technicolor
 
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|Laura Thornburg
 
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|"Raiders of the Lost Ark" (1981)
 
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|" The original negative had been scanned at 4k – full resolution – which without the analogue cover of generations of dupes from original to theatrical print, made matte lines and effects a bit more obvious than they had original been on screen."<ref>https://www.hometheaterforum.com/community/threads/while-we-wait-for-a-few-words-about-%E2%84%A2-raiders-of-the-lost-ark-in-blu-ray.317114/</ref>
 
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|Andrea Kalas,
 
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Laura Thornburg
 
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Jeff Cava
 
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|"Apollo 13" (1995)
 
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|"35mm camera negative was scanned at 6k resolution"<ref>https://www.festival-cannes.com/en/infos-communiques/communique/articles/cannes-classics-2015</ref>
 
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|NBCUniversal StudioPost
 
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|[https://amzn.to/2zXnphD 4K UltraHD]
 
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|-
 
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|"Citizen Kane" (1941)
 
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|"reconstructed from three nitrate fine grain master positives as the original camera negative no longer survives."<ref>https://www.festival-cannes.com/en/infos-communiques/communique/articles/cannes-classics-2015</ref>
 
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|Janet Wilson
 
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|Ned Price
 
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|"The Third Man" (1949)
 
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|"Intermediate film print, 2nd generation of nitrate film (non-existent original negative), scanned in 4K" <ref>https://www.festival-cannes.com/en/infos-communiques/communique/articles/cannes-classics-2015</ref>
 
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|"restored frame by frame in 4K by Deluxe"
 
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|STUDIOCANAL
 
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|"The Lady from Shanghai" (1948)
 
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|"nitrate original negative was scanned in 4K at Deluxe in Hollywood"<ref>https://www.festival-cannes.com/en/infos-communiques/communique/articles/cannes-classics-2015</ref>
 
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|"digital restoration, part of the work completed at MTI Film in Los Angeles"
 
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|"Restoration in 4K at Colorworks at Sony Pictures"
 
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|"It Happened One Night" (1934)
 
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|"newly manufactured wet-gate Fine Grain Master, which had been made from the Original Negative, and was scanned at 4K"<ref>https://soundandpicture.com/2013/11/colorworks-completes-brilliant-4k-restoration-of-frank-capra-classic-it-happened-one-night/</ref>
 
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|"lengthy digital film restoration process at Prasad Corporation, to address dirt, tears, scratches and other artifacts"
 
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|Scott Ostrowsky
 
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|Rita Belda, Sony Pictures Entertainment’s Executive Director of Asset Management, Digital Mastering and Film Restoration
 
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|-
 
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|"Sweet Charity" (1969)<ref>https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=sweetcharitylff19</ref>
 
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|"picture source element for this 4K restoration was the 35mm original negative of the roadshow version"
 
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|[https://www.universalstudioslot.com/picture-services/3337/film-restoration NBCUniversal StudioPost]
 
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|-
 
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|"Tootsie" (1982)
 
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|Cineric, New York
 
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"digital transfer was created in 4K resolution on an Oxberry wet-gate film scanner from the 35mm original camera negative"<ref>https://www.blu-ray.com/movies/Tootsie-Blu-ray/44344/</ref>
 
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|Prasad Group
 
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|Scott Ostrowski
 
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|Grover Crisp
 
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|-
 
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|"Spartacus" (1960)
 
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|original 8-perf negative scanned on Northlight<ref>http://digital.copcomm.com/i/607566-november-2015/35?m4=</ref>
 
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|"MTI Film's Nova software was deployed for dust busting"
 
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StudioPost, MTI FIlm and Prasad Digital
 
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|
 
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|[https://www.universalstudioslot.com/picture-services/3337/film-restoration NBCUniversal StudioPost]
 
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|[https://amzn.to/2MplzZk 4K UltraHD]
 
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|-
 
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|"The Man Who Laughs" (1928)
 
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|"primary source element for this restoration was a 35mm composite fine grain from the Universal Studios Vault, created in 1954 from the nitrate original camera negative" <ref>https://markets.businessinsider.com/news/stocks/universal-pictures-continues-silent-film-initiative-will-restore-10-additional-titles-1025929659</ref>
 
−
|"stabilize and deflicker the film as well as repair scratches, warps, and dirt.  The 4K digital restoration was completed by NBCUniversal StudioPost."
 
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|
 
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|[https://www.universalstudioslot.com/picture-services/3337/film-restoration NBCUniversal StudioPost]
 
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|
 
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|-
 
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|"The Civil War" (1990)
 
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|ArriScan 4K of 16mm original negative<ref>http://digital.copcomm.com/i/607566-november-2015/36?m4=</ref>
 
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Technicolor PostWorks and George Eastman House
 
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|
 
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|Jack Lewars
 
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|Daniel J. White
 
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|
 
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|-
 
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|"My Fair Lady" (1964)
 
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|FotoKem scan at 8K<ref>http://digital.copcomm.com/i/607566-november-2015/37?m4=</ref>
 
−
"original Eastman Kodak 5251 65mm negative"<ref>https://www.hometheaterforum.com/community/threads/a-few-words-about-%E2%84%A2-my-fair-lady-take-two-in-blu-ray.343802/</ref>
 
−
|"color correction and dirt clean up was done in 4K Rec.709"
 
−
|Mark Griffith
 
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|Robert A. Harris
 
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|
 
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|-
 
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|"One-Eyed Jacks" (1960)
 
−
|"new restoration was created from the original 35mm, 8-perforation Vista Vision negative and the 35mm Y-layer separation master (to recover faded blue). These film elements were scanned, using pin registration, at 6K resolution on a Northlight film scanner"<ref>https://www.blu-ray.com/movies/One-Eyed-Jacks-Blu-ray/162187/</ref>
 
−
|Prasad
 
−
MTI Film
 
−
 
−
"negative and Y-layer files were digitally recombined using 3D image manipulation tools. The film elements were configured for A/B printing, so all transitions, such as fades and dissolves, were recreated to conform to the theatrical cut of the film. Dirt and damage removal was accomplished with a host of digital tools, including MTI Film's Nova, Digital Vision's Phoenix, HS-Art's Diamant, and Autodesk's Flame"
 
−
|
 
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|[https://www.universalstudioslot.com/picture-services/3337/film-restoration NBCUniversal StudioPost]
 
 
|
 
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|}
 
|}
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== References ==
 
== References ==
 
<references />
 
<references />
−
 
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[[Category:4K Restoration]]
 

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