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| !supervisor | | !supervisor |
| !4K release | | !4K release |
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− | |"The More the Merrier" (1943)<ref>http://digital.copcomm.com/i/1189824-december-2019/0?m4=</ref>
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− | |Cineric
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− | |"blending of duplicate and original picture negative to eliminate damaged frames"
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− | |Sheri Eisenberg
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− | |Rita Belda, SPE’s vice president for asset management
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− | |"The Hunchback of Notre Dame" (1923)
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− | |"primary element was scanned, dry-gate, on an Arri scanner"<ref>http://digital.copcomm.com/i/1189824-december-2019/0?m4=</ref>
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− | |Peter Schade
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− | |"Patton" (1970)<ref>http://digital.copcomm.com/i/1189824-december-2019/0?m4=</ref>
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− | |65mm original negative scanned at 8K by FotoKem
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− | |"the team at FotoKem began with addressing flicker, dust, dirt and damage on the negative"
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− | |Kostas Theodosiou grading in Resolve
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− | |Andrew Oran, SVP and GM of feature sales and marketing
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− | |"It’s a Mad, Mad, Mad, Mad World" (1963)<ref>https://www.hometheaterforum.com/community/threads/a-few-words-about-%E2%84%A2-its-a-mad-mad-mad-mad-world-in-blu-ray.306560/page-4</ref>
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− | |FotoKem 65mm scan via Imagica XE
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− | |"Gladiator" (2000)<ref>https://www.studiodaily.com/2011/04/colorist-lou-levinson-on-restoring-and-sometimes-re-thinking-movies-with-the-baselight/</ref>
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− | |"original camera negatives were scanned at 6K on a Northlight scanner"
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− | |Lou Levinson on Baselight 8
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− | |[https://amzn.to/30iB1yR 4K UltraHD]
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− | |"Saving Private Ryan" (1998)
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− | |"original camera negatives were scanned at 6K on a Northlight scanner"
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− | |Lou Levinson on Baselight 8
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− | |[https://amzn.to/2UlADeU 4K UltraHD]
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− | |"The Graduate" (1967)
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− | |"Deluxe Culver City scanned the 35mm original camera negative on a DFT Scanity in 4K resolution"<ref>http://digital.copcomm.com/i/749700-november-2016/27?m4=</ref>
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− | |"dirt, debris, scratches, splices and warps were manually removed by a team at The Criterion Collection in New York City using Digital Vision Phoenix and MTI Correct."
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− | |Joe Gawler
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− | "If we need The Graduate in HDR, I can change the output display to 1000 nits and not lose the work I did for the Rec. 709 master"
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− | |"King of Jazz" (1930)
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− | |negative "scanned by Cineric New York on a modified Oxberry"
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− | "nitrate prints were scanned by Prasad in Burbank with a DFT Scanity and by Universal with an ArriScan outfitted with a special transport and wet gate."<ref>http://digital.copcomm.com/i/749700-november-2016/27?m4=</ref>
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− | |"Universal team performed extensive dirt removal, scratch repair and image stabilization with a host of tools, including HS Art’s Diamant for stabilization and de-flicker, and Digital Vision’s Phoenix for auto-filte"
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− | |Mike Holgate
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| |"Close Encounters of the Third Kind" (1977)<ref>https://www.cinematheque.fr/seance/24589.html</ref> | | |"Close Encounters of the Third Kind" (1977)<ref>https://www.cinematheque.fr/seance/24589.html</ref> |
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− | |[https://amzn.to/2U4xlMY 4K UltraHD] | + | | |
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| |“The Shining” (1980) | | |“The Shining” (1980) |
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| |Sheri Eisenberg | | |Sheri Eisenberg |
| |[[Grover Crisp]] | | |[[Grover Crisp]] |
− | |[https://amzn.to/3cvjOEK 4K UltraHD] | + | | |
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| |"Ben-Hur" (1959)<ref>https://www.youtube.com/watch?v=rp1BsqMsAUQ</ref> | | |"Ben-Hur" (1959)<ref>https://www.youtube.com/watch?v=rp1BsqMsAUQ</ref> |
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| |[[Ned Price]] and Leon Vitali | | |[[Ned Price]] and Leon Vitali |
− | |[https://amzn.to/2XuNfTe 4K UltraHD] | + | | |
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| |"House of Wax" (1953) | | |"House of Wax" (1953) |
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| |Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate" | | |Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate" |
| "The film was scanned at 10 bit depth logarithmic to dpx files" | | "The film was scanned at 10 bit depth logarithmic to dpx files" |
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− | "Daniel DeVincent, Cineric’s Director of Digital Restoration, created look up tables (lut) designed to optimize the scan of each element in order to achieve the dynamic range of 35mm black-and-white film."<ref>https://www.researchgate.net/publication/27716381_From_Grain_to_Pixel_The_Archival_Life_of_Film_in_Transition</ref>
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| |"Daniel DeVincent, Cineric’s Director of Digital Restoration" | | |"Daniel DeVincent, Cineric’s Director of Digital Restoration" |
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| |[[Grover Crisp]] | | |[[Grover Crisp]] |
− | |[https://amzn.to/2ACEKMC 4K UltraHD] | + | | |
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| |"The Sound of Music" (1965)<ref>https://library.creativecow.net/wilson_tim/FotoKem-Sound-of-Music-Restoration/1</ref> | | |"The Sound of Music" (1965)<ref>https://library.creativecow.net/wilson_tim/FotoKem-Sound-of-Music-Restoration/1</ref> |
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| |NBCUniversal StudioPost | | |NBCUniversal StudioPost |
− | |[https://amzn.to/2zXnphD 4K UltraHD] | + | | |
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| |"Citizen Kane" (1941) | | |"Citizen Kane" (1941) |
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| |[https://www.universalstudioslot.com/picture-services/3337/film-restoration NBCUniversal StudioPost] | | |[https://www.universalstudioslot.com/picture-services/3337/film-restoration NBCUniversal StudioPost] |
− | |[https://amzn.to/2MplzZk 4K UltraHD] | + | | |
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| |"The Man Who Laughs" (1928) | | |"The Man Who Laughs" (1928) |
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| == References == | | == References == |
| <references /> | | <references /> |
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− | [[Category:4K Restoration]]
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