4k Restorations


Title	scan	restoration	colorist	supervisor	4K release
"Close Encounters of the Third Kind" (1977)^[1]	Cineric Laboratory	Prasad Corporation^[2]			4K UltraHD
"The Invisible Man" (1933)				Technicolor Creative Services Director of Restoration Services Tom Burton^[3]
"Jaws" (1975)	Cineric Laboratory ^[4]"4K Oxberry film scanner modified for liquid gate" ^[5]	"a combination of MTI Film's Correct DRS dust-busting tools and Autodesk Inferno as well as proprietary software for grain management."	Leo Dunn	NBCUniversal senior VP Technical Operations Michael Daruty	4K UltraHD
"The Bridge on the River Kwai" (1956)			Scott Ostrowsky		4K UltraHD
"Lawrence of Arabia" (1962)	scanned on two large format 65mm Imagica XE scanners at FotoKem at 8K^[6]	Prasad Corporation^[7] MTI Film	Scott Ostrowsky	Grover Crisp	4K UltraHD
"Taxi Driver" (1976)			Scott Ostrowsky
"The Doors” (1991)	original negative, scanned in 4k 16 bits on ARRISCAN at Fotokem US^[8]	Restoration managed by Imagine Ritrovatta in Italy
“The Shining” (1980)	4K scan of the original 35mm camera negative^[9]	mastering was done at Warner Bros. Motion Picture Imaging	Janet Wilson	Kubrick’s former personal assistant Leon Vitali	4K UltraHD
“Moulin Rouge” (1952	35mm Original Nitrate 3-Strip Technicolor Negative. 4K scanning by Cineric		Daniel DeVincent	The Film Foundation and Grover Crisp
“Easy Rider” (1969)	4K scanning and digital image restoration by Immagine Ritrovata^[10]	Roundabout Entertainment	Sheri Eisenberg	Grover Crisp
"Ben-Hur" (1959)^[11]				Ned Price
"Doctor Zhivago" (1965)	scanned the original camera negative at 8K resolution^[12]
"Beverly Hills Cop" (1984)
"To Catch a Thief" (1955)
"A Clockwork Orange" (1971)				Ned Price^[13]
“Pandora and the Flying Dutchman” (1951)		Prasad Corporation^[14]		Tim Lanza, the archivist and vice president of the Cohen Media Collection^[15]
"Richard III" (1955)^[16]		""Dr. Kevin Manbeck, MTI Film's CTO, who creates the various algorithms used for the software" "Correct DRS [MTI Film's full featured restoration toolset "^[17]	Sheri Eisenberg	Grover Crisp The Film Foundation
"Taxi Driver" (1976)	Cineric	"MTI Film had just developed proprietary technology, AutoClean, designed to find very small dirt that can be overlooked by the human eye" ^[18]	Scott Ostrowsky	Grover Crisp
"A Star is Born" (1954)	scanning A Star Is Born in 6K^[19]			Daphne Dentz, VP, digital service^[20]
"2001: A Space Odyssey" (1968)	8K			Ned Price and Leon Vitali
"House of Wax" (1953)	"4k scans of the 3-strip positive protection masters (YCM’s) for both left eye and right eye negatives for a total of 6-reels of film to restore the 3-D color composite image"^[21]	Warner Bros. Motion Picture Imaging	Janet Wilson
"The Front Page" (1931) ^[22]	4K wet-gate scanning of the complete 35mm print at ImagePro, Burbank	"automated and customized restoration at MTI Film’s facilities in Hollywood and Tianjin, China, using its proprietary DRS™NOVA technology." Jim Hannafin, MTI Film Senior Vice President for Business Development Director of Restoration and Preservation Bridgid O’Donnell-Farquhar	Alex Chernoff	Michael Pogorzelski Heather Linville The Academy Film Archive The Film Foundation
A Matter of Life and Death (1946)^[23]	4K scanning at Cineric, New York	L’Immagine Ritrovato MTI Film, Hollywood	Sheri Eisenberg	Grover Crisp
"Dr. Strangelove" (1964)^[24]	Cineric's "Oxberry Cinescan 6400 scanner, equipped with a wet gate" "The film was scanned at 10 bit depth logarithmic to dpx files"	"Daniel DeVincent, Cineric’s Director of Digital Restoration"		Grover Crisp
"The Sound of Music" (1965)^[25]	digitized at 8K by FotoKem	FotoKem	Mark Griffith	Andrew Oran Schawn Belston
"Schindler’s List" (1993)^[26]	6K scan of original negative			Michael Daruty	4K UltraHD
"The Ten Commandments" (1956)	6K scan, Scan and Record Manager: Chris Gillaspie	Motion Picture Imaging Prasad VP of Engineering: Bill Baggelaar Data, Conform & Graphics: Kathleen Largay Compositor: Valerie McMahon	Jan Yarbrough	Senior Producer: Daphne Dentz Producer: Billy Patten
"The Godfather" (1972)^[27]	Chris Gillaspie and the Thomson Spirit 4K "FilmLight Northlight for scanning subtitles and a few pick-up shots in 6K"	Motion Picture Imaging Bill Baggelaar, VP/engineering at MPI MPI’s VP of digital services: Daphne Dentz Kate Largay: conformist and media data wrangler Steve Sanchez heads digital repair	Jan Yarbrough	Robert A. Harris
"Carousel" (1956)	Cineric 55mm Cinemascope Oxberry Cinescan 4K capture to 10-bit log DPX files		Danny DeVincent
"To Catch a Thief" (1955)	"6K 16-bit scan of the original VistaVision negative, making it the first time the original negative has been directly sourced for a home entertainment release"^[28]			Andrea Kalas
“Rebel Without a Cause” (1955)^[29]			Janet Wilson	Film Foundation Ned Price
"It's a Wonderful Life" (1946)	Eric Chilpa (Technicolor)		Michael Underwood (Technicolor)	Andrea Kalas Laura Thornburg (Executive Director Preservation at Paramount)	4K UltraHD
"The Seven Samurai" (1954)^[30]^[31]		Tokyo Lab, "Use MTI's restore software to correct scratches and dust, shake the screen, and adjust grain."
"The Maze" (1953)	"Laura Thornburg and Andrea Kalas at the Paramount Archive provided access to the camera original 35mm elements. The 4K scans were done at PRO-TEK in Burbank, CA."^[32]	Thad Komorowski	Greg Kintz
"Wings" (1927)^[33]	"digitally scan the duplicate negative. This was done at 4K resolution"		Technicolor	Laura Thornburg
"Raiders of the Lost Ark" (1981)	" The original negative had been scanned at 4k – full resolution – which without the analogue cover of generations of dupes from original to theatrical print, made matte lines and effects a bit more obvious than they had original been on screen."^[34]			Andrea Kalas, Laura Thornburg Jeff Cava

External Links

4K restoration scans

References

[1] ttps://www.cinematheque.fr/seance/24589.html

[2] ttps://twitter.com/PrasadCorp/status/994184444658380802

[3] ttp://cinelicious.tv/tag/michael-daruty

[4] ttp://cinelicious.tv/tag/michael-daruty

[5] ttps://library.creativecow.net/kaufman_debra/JAWS-Resoration/1

[6] ttps://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Lawrence-of-Arabia-Restoration&page=1

[7] ttps://twitter.com/PrasadCorp/status/1173506982495416320

[8] ttps://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/

[9] ttps://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/

[10] ttps://www.indiewire.com/2019/04/cannes-classics-2019-alfonso-cuaron-the-shining-1202128389/

[11] ttps://www.youtube.com/watch?v=rp1BsqMsAUQ

[12] ttp://iwantmytwodollars.com/2011/12/interview-ned-price-rita-tushingham-doctor-zhivago-remastered-blu-ray/

[13] ttps://www.youtube.com/watch?v=VV6ro-74bL4

[14] ttp://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics/

[15] ttp://moveablefest.com/the-reincarnation-of-pandora-and-the-flying-dutchman-and-how-the-cohen-film-collection-restores-soul-to-cinema-classics

[16] ttp://www.mtifilm.com/news/2013/5/1/richard-iiis-meticulous-4k-restoration.html

[17] ttps://library.creativecow.net/article.php?author_folder=kaufman_debra&article_folder=Restoring-Richard-III&page=1

[18] ttps://library.creativecow.net/kaufman_debra/taxi-driver-restoration/1

[19] ttps://www.soundandvision.com/content/truth-about-6k-page-2#RWqSIV7EmF7xOsih.99

[20] ttps://artsdocbox.com/Movies/71504342-Inside-top-studios-sign-up-with-dcss-studios-agree-digital-cinema-deployment-story-on-p-03.html

[21] ttp://www.3dfilmarchive.com/an-interview-with-ned-price

[22] ttps://www.broadcastbeat.com/mti-film-delivers-the-front-page/

[23] ttp://www.postmagazine.com/Publications/Post-Magazine/2017/November-1-2017/Restoration-I-A-Matter-of-Life-and-Death-I-.aspx

[24] ttps://pure.uva.nl/ws/files/2370126/163448_369986.pdf

[25] ttps://library.creativecow.net/wilson_tim/FotoKem-Sound-of-Music-Restoration/1

[26] ttps://entertainment.time.com/2013/03/05/restoring-schindlers-list-a-qa-with-film-restoration-expert-michael-daruty/?utm_source=dlvr.it&utm_medium=twitter

[27] ttp://www.postmagazine.com/Publications/Post-Magazine/2008/November-1-2008/RESTORATION.aspx

[28] ttps://thedigitalbits.com/columns/my-two-cents/052620-1430

[29] ttps://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-rebel-without-cause-20131101-story.html#axzz2lKNyTKmG

[30] ttps://av.watch.impress.co.jp/docs/topic/744265.html

[31] ttps://kotaku.com/the-seven-samurai-looks-glorious-in-4k-1761457283

[32] ttps://www.hometheaterforum.com/community/threads/kino-lorber-insider-read-guidelines-post-3.355034/page-28

[33] ttps://jservin85.wordpress.com/preservation-and-restoration/restoration-of-wings/

[34] ttps://www.hometheaterforum.com/community/threads/while-we-wait-for-a-few-words-about-%E2%84%A2-raiders-of-the-lost-ark-in-blu-ray.317114/

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4k Restorations

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